Vignetting, discussion about methods of resolution Options

[Tman]

Hi Nirgal and all, I would like to discuss about vignetting and methods of resolution for it. I'm mainly interested in mathematical methods that could automatically calculate and adjust the right grey value for each pixel in a single picture.

My current method works with more or less transparent layers over the original picture that so roughly are able to balance the grey values. A perfect layer have to be the exact inverted brightness difference of each picture with this shadow effects. This method is very effective if you get the correct inverted values. These shots of the Mars sky come nearly at such a perfect mask, but not always. And of course the center of the pictures lose much of theirs original brightness/luminance sadly.

I have in mind a mathematical method that can adjust each grey value in a pic in order to obtain a completely balanced brightness over the entire picture. But I'm not in the position to reach that. I only know one have to start with the calculation of the grey values in the center of the picture. In the center are quasi the reference values of the whole picture, if I'm correct.
Is there a possibility (mathematical method) to get (roughly) the same brightness and luminance like in the center over the whole picture from the MERs?

Greetings, Peter

[Guest_DonPMitchell_*]

Very cool work, Michael.

I know in a mathematically ideal camera, vignetting is cosine**4. But I think the geometry of real lenses is a lot more complex. Here is a paper I wrote with some friends on modeling lens effects: Camera Models

Where does cosine to the 4th power come from? You get one cosine from the foreshortening of the lens, one from foreshortening of the element of area on the film, and two more from the 1/r**2 distance effect between the lens and locations on the film.

For stitching panoramas, I've used a lot of different software (Autostitcher, Panorama Factory, etc), including just doing it by hand in Photoshop. The best tool I've found, by a long shot, is the stitcher in Microsoft Digital Image Suite 2006. It's the only function I used that program for, I barely know what else it does. This is software developed by the computer vision researcher, Rick Szeliski.

Szeliski's algorithm is very general, and combines images with arbitrary projective transformations. Panning, tilting, zooming, even moving the camera location (modulo visibility changes then). Nothing else seems to handle all of these variables.