QUOTE (djellison @ Jul 4 2008, 12:51 AM)

Bear in mind, the JPG's from the JPL/Exploratorium site are uncalibrated - this rather lengthy issue explains how and why that means something
http://web.archive.org/web/20070702193715/...marscolors.htmlDoug
G'day Doug,
thanks for that URL, not seen it before.
I think I was aware of most of that. Good read though.
It was the same Professario as in the article you mentioned, whose kind words of inspiration have kept me plodding away at certain things. I am now looking at a compiler called Lazarus to see if I can get a Mac version to work. Making it all open source is probably the go.
My own interpretation of what is happening is a bit like this.
Bring me back to Earth if you think I'm on Mars somewhere, or if you see me digging a hole for myself, just take the shovel off me and dong me on the head, I'll understand.
If I am looking at a garden across the road with the Sun in my face,
there will be certain colour temperatures and saturations, if I turn around 180 degrees and look at my own garden, it all changes.
Humans take it all in their real time stride and really
don't notice much difference, unless they are paying particular attention to what they are looking at, sorry, seeing.
I understand that the L4, L5 and L6 combinations aren't always the bees knees, but I keep in mind,
my own observations of what I might perceive while just looking around myself in my own environment and how much variation can occur just looking in a different direction can produce.
So, I stick to L4, L5 and L6 for a model of what I might be seeing, keeping in mind the variations I get here on Earth, the same happens everywhere. There is not a huge difference in output between a standard L4, L5, L6 overlay, and a MER2RGB overlay, but sometimes there is.
It's about as close as you can get, without calibrating the images for colour, or if you like, a normal view with natural variations due to angle, intensity, environment. i.e. When the sky turns red, so does much of everything else.
My question though, say during a sunset, when you would expect most things to be taking on a reddish hue, does calibrating the images, attempt to make them more "normal colours" at a benchmark value somewhere, or recreate them to the more accurate levels of everything having a reddish hue, as a human would perceive them there and then at that time?
Basically, I just like seeing what it saw right there and then without any adjustments first.
It is a lot of work to do the calibrating, something my own software is not capable of, all it does is the standard 3 filter overlay with the MER2RGB option if you want it, with sliders for some variation.
Just for something different, I have been using the MERDAT software for looking at the images from the SOHO spaceraft, I download a zip of stills, get into MERDAT and click on the first image, this brings it up full size, I then right click on the image, and the magnifier page appears, and engage slideshow, and the mouse cursor position on the image is displayed as the X Y pixel location along the top with the images X Y dimensions (512x512) in this case. The JAVA tool on the SOHO site doesn't show any data in the JAVA console for me, so, well, this works for me. I thought I could pull it out and make a SOHO locator tool, but hey, that would be like work or something, I'll just multitask with MERDAT.
:-)
I am still interested in including the Phoenix codes into MERDAT, so that it will show data for all 3 spacecraft as you are looking at that image. I was hanging out to see if anyone else has the filename decoding happening yet for Phoenix pics, I've not seen anything yet.
Basically, it is all very interesting fun. I will continue to be amazed at what others have done and are doing, and hopefully learn a bit along the way and then share it.
I find it all very inspirational, and chatting with like minded folks is a bonus.
I blame the Moon landings for this, I still remember looking at the astronauts on the Moon on the TV, and then trotting outside and looking up into the sky at the Moon, thinking, they're up there, then back into the TV.
I think I and the contributors in here will have this bug for life.
All the best Doug, thanking you.